The Mandalorian 2.4 Review - 5 Ups And 2 Downs From Chapter 12

1. The Season Is Settling Into A Familiar Pattern

The Mandalorian Chapter 12
Lucasfilm

The Mandalorian Season 2 has been extremely enjoyable to watch, but the first four episodes have left serious doubts as to the overarching structure of the series itself.

There've been a lot of detours, a lot of distractions and a lot of one-and-done stories for a show that came into its own by taking a serialised approach to storytelling.

But the biggest issue by far with Chapter 12 is that while it makes key strides in addressing the central mystery of the series - learning why the Empire want The Child - it falls into the pattern established in previous episodes; that video game-y approach to storytelling that sees Din embarking on one task, before being roped in to help perform another before he can proceed with his main journey.

Factor in the contrivances that have finally gotten us one step closer to learning more of the show's grand mystery, and it's turning The Mandalorian into an occasionally frustrating watch. We're zigging and zagging between old and new destinations without what feels like any sense of direction, which is even weirder, given the first four episodes were all written by series creator Jon Favreau.

Chapter 12 marks the halfway point of The Mandalorian's sophomore season, but it feels like it's barely out of second gear. That should hopefully change with the presumed arrival of Ahsoka Tano in next week's episode, but with so much left unanswered and with so little time left to resolve it, it seems fair to question whether or not Season 2 has used its time wisely.

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The Mandalorian
Lucasfilm

1. Who Created The Show?

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.