TV Review: Justified 3.3, "Harlan Roulette"

Not only did “Harlan Roulette” fulfill any critic’s checklist, but it had my butt glued to the edge of my seat and my jaw frequently hitting the floor in astonishment and laughter.

rating: 4

Apparently they should just call this show Takin€™ Care of Business: Harlan County with Raylan and Boyd, but I suppose that doesn€™t roll off the tongue quite as easily as Justified. Seriously, the yin and yang of the modern Old West each just dominated their respective games like true professionals €“ no, legends. This episode had everything you could ask for: a compelling stand-alone story that contributes to the seasonal arc in which bodies pile up and our hero demonstrates exactly why he has earned that title, significant advances in our other hero€™s ongoing story, plus cameos from all three of our major villains of the season. Not only did €œHarlan Roulette€ fulfill any critic€™s checklist, but it had my butt glued to the edge of my seat and my jaw frequently hitting the floor in astonishment and laughter. Though I love the pace of and the sequence of scenes in just about every episode of Justified, for the sake of clarity let€™s look at each component in full. To begin, we€™ll examine the Raylan half of the episode. Its opening included the first of two minor complaints with what was otherwise a near perfect episode. I€™ve mentioned this in the previous two critiques of the third season€™s episodes thus far €“ the apparent replacement of Raylan and Winona discussing moving to Glenco, the training facility in which Raylan could act as a shooting instructor in relative safety for the sake of his growing family, for discussing simply moving into a house together in the local area. While buying a house alone or with a new (or new old) partner is of course a significant step forward and a lot to put on the line, it€™s a noticeable departure from the potential to leave the setting of a series which is as integral a character as the protagonist. I could accept this transition if there were any acknowledgement of it but there has been none. I€™ll stop harping on this issue since it looks like the series is doing the same but it is a noteworthy deficiency. The other minor complaint I have is the heavy handed nature in which the topic of narcotic addiction was consistently touched upon. Throughout €œHarlan Roulette€ we are reminded at every possible opportunity (including the song playing in the pawn shop Raylan first confronts the episode€™s head outlaw in) of the profound gravity of this topic and although it is a very serious issue that indeed should not be taken lightly, I found it to be slightly shoved down the audience€™s throat. On the other hand, I do appreciate the consistency of the theme. Anyway, all minor drawbacks aside, the primary plot of Raylan tracking down a couple oxycontin traffickers whom are operatives of the Dixie Mafia was very well executed. What started as an apprehending of two suspected armed robbers led to a direct confrontation with the season€™s new main villain which successfully established some powerful tension between Raylan and Quarles. Ten gallon hats off to the writers for using past minor characters when they could have easily got new faces to fill the roles. Using JT from (I believe) the episode in which Chief Deputy Mullen tracked down an older fugitive from his past and Wade Messer, the family friend who escorted Mag€™s adopted daughter half way to the Bennett house in the climax of last season, added a sense of real time and decay to the citizens of Harlan County whom have fell even deeper into the criminal world as well as that of the world of addiction. These two thugs along with the third, Wally Beckett, are all criminals but also victims of their superior, Glen Fogel, a sadistic crime boss who truly enjoys exploiting his underlings€™ dependence on the drugs he peddles as demonstrated by his manipulation of the roulette game which JT won but acted as the catalyst to the confrontation in which Fogel murdered JT. Similar to last episode€™s main antagonist, Fogel also holds an affinity for lethal games which are fixed in his favor, a trait characteristic of the lack of honor among the criminals which meet their demises as compared to the more honorable criminals such as Boyd Crowder. This scene as well as the one in which Messer and Wally bury JT greatly emphasized both the tragedy of narcotics addiction and the tragedy of addiction to power which Fogel was clearly a personification of. The resolution to this story was ironic in that it, like last episode€™s, showcased Raylan€™s expertise in dealing with outlaws without having to use his weapon, and fitting in that Fogel and Wally ended up turning on and shooting each other, much like how they were each willing to betray JT for personal gain. Raylan is so disgusted by what transpires he takes it upon himself to make an unofficial visit to Wynn Duffy who was named by Fogel before his death. In an earlier scene with Duffy we learned Quarles€™ plans for profiting from the oxy scene in Harlan which is smart to spell out at this point in the season as there€™s no need to prolong letting the audience know what the main villain€™s up to; doing so only prolongs the audience€™s investment in this character. This earlier scene was also the one which elicited the first big laugh from me while simultaneously adding to the mystery of what kind of man Quarles truly is. I€™m referring to Duffy€™s suppressed reaction to the man Quarles has gagged and tied to the bed as well as Quarles casual dismissal of him. Is the tied up man an underling being punished or an object of Quarles€™ sexual recreation? This is unclear and therefore contributes to the mystique of our new big bad. The closing scene of the episode further revealed what delight Quarles takes in relishing violence as he demonstrates to Duffy €œversion 3.0€ of his homemade hidden quick draw mechanism a la Taxi Driver which he apparently found a key component of while Christmas tree shopping. The rest of the episode followed Boyd who I do consider to now be Justified€™s other hero, the foil to Raylan€™s upstanding lawman, an outlaw who is smart enough to devise the strategies necessary to seize the criminal underbelly and deadly enough to implement them, much like Raylan whom uses the same traits to reach the same goals but for the purposes of safety and justice as oppose to Boyd€™s purpose to profit. Boyd€™s plot opened the episode with a scene in which he and Limehouse discuss the Bennett money and Boyd€™s marijuana business. This scene revealed that Limehouse and Eva know each other from when Eva was still married to Boyd€™s brother Bowman and also alludes to a past relationship between Limehouse and Arlo in regards to racially divided violence. These two allusions speak to Limehouse€™s ties to Harlan€™s mythology and his long history as a crime boss as does his conversational grace when exchanging with Boyd. Though brief, this scene further establishes Limehouse as a force not to be reckoned with and it promises that his part in the season will gradually become a source of much conflict. Further complicating Boyd€™s plans for the Bennett money is the involvement of the prison guard who arranged Boyd and Dickie€™s solitary confinement meeting and now wants Dickie€™s money for himself. This thread was not touched on again throughout the episode but will play heavily in the next. After reprimanding Devil and Arlo for not following his order as delivered by Eva to burn the weed, Boyd then speaks of the new professionalism by which the gang will operate including the relinquishing of any involvement in prostitution. This is a signal not merely of a woman€™s involvement in the affairs of this new crime family, but also the relatively more sophisticated standard by which Boyd wishes to conduct his team by. This professionalism is demonstrated at the bar which was formerly owned by Boyd€™s cousin Johnny who finally reemerges to reclaim his establishment as the Crowders€™ new headquarters. It is this scene in which Boyd tells the tale of how he was shot to make a point and convey the severity of the situation which most reflects the actions and methods of Raylan. Like Boyd, Raylan used an anecdote, about a group of men looking to enter his family home as a young boy and assault his uncle, to dramatically emphasize a point which was in fact a strategy that worked to secure his victory in a dangerous situation. A subsequent scene at the same bar between Boyd and Devil drew attention to the core of who Boyd is. Boyd answers Devil€™s inquiry as to which Boyd Crowder is now present €“ the loyal soldier or the unpredictable backstabber €“ with a cryptic €œboth€. This answer epitomizes the complexity of Boyd and is the largest reason why he is such a fascinating character to watch progress and succeed. It€™s a difficult task to distinguish among Justified€™s best episodes, but €œHarlan Roulette€ is certainly a strong contender as it successfully encompassed so much into one episode by not only telling a self-contained story which ties into the larger conflict of Quarles€™ involvement, but also revealed many key elements which set the stage for what could be the series€™ best season yet.
Contributor

Fed a steady diet of cartoons, comics, tv and movies as a child, Joe now survives on nothing but endless film and television series, animated or otherwise, as well as novels of the graphic and literary varieties. He can also be seen ingesting copious amounts of sarcasm and absurdity.