The Walking Dead: 10 Ways To Make The Show Great Again

6. Stop Repeating Storylines

Remember when the Governor led the charge to attack the prison? Of course you do. Because it happened twice. In the season three finale, the Governor led his Woodbury militia on an assault against the prison, which didn€™t exactly work out the way he planned. His gang infiltrated the prison yard, entered the prison and searched the tombs to find Rick€™s group. Only they were ambushed, and the vast majority of his supporters fled. This led to the Governor going after his convoy and summarily murdering almost all of them in a fit of rage. What a guy. But perhaps this wasn€™t enough of an assault for the writing team, because the Governor returned for another onslaught in the midseason finale of season four. This time, however, we pick up the story months after the Governor€™s pasting of his own troops. He€™s wandering about aimlessly, despondent, depressed, ready to die. That is until he meets a small family of survivors in Lily, Tara, and Lily€™s daughter Meghan. He€™s instantly drawn to Meghan, and we€™re led to believe this is a direct result of the loss of his own daughter, Penny. The Governor€™s paternal instincts kick in, and suddenly everything is just fine again. They run into his old militia pal Martinez, who has a small group of his own, and everyone tries to play happy family. Yeah, that didn€™t last long. The Governor kills Martinez, kills the group€™s temporary leader Pete (who was left in charge after the power vacuum left by Martinez€™s death), and then convinces Pete€™s brother Mitch to join him in another prison incursion. Allow me the privilege of making this point again. The Governor killed Mitch€™s brother, and then convinced him to make nice and join him. All of this happened in the span of a couple episodes. I felt insulted. I hope you did too. Characters moving from point A to point B too quickly is a cheap way out, and it doesn€™t leave enough time for full development€”something necessary to get the audience to buy in. But apparently no one on the creative side cared, because the writing team used this to repeat a storyline we€™ve already seen, and in record time. Only it was so wildly implausible that by the time it happened, we were all collectively shrugging our shoulders in disbelief. So here€™s a wonderful idea The Walking Dead needs to make part of its creative canon: Stop repeating storylines. I don€™t care if these stories were in the comic book or not. Don€™t do them. The two need to be separate, because the show was founded under such pretenses. It€™s a second chance, both for Robert Kirkman and the writers. Don€™t make the same mistakes made in the comic books. Instead, hash out new storylines, and discard ones that either didn€™t work in the comic books, or repeated themselves. And please, for the love of God€
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