10 Best WWE Pay-Per-Views Of The Past Decade

Goal Of The Month

CM Punk Brock Lesnar
WWE

NXT's transformative impact on WWE has extended beyond the quality of graduates making the leap from Full Sail to the company's main roster.

The weekly rank-and-file are now as good as they've ever been thanks to the raised quality bar across the board, but the strip-mined lower league rarely feels left behind. TakeOver shows are routinely the standout events from supershow weekends, with various entries from Brooklyn, Dallas, Chicago and Philadelphia rivalling WWE's best cards ever - let alone the ones unlucky enough to follow them the next night.

Held to a different standard, WWE pay-per-views are such huge affairs that they can't even compare with the NXT extravaganzas on run-time, let alone match quality. Braun Strowman had only just registered the first fall in February 2018's Elimination Chamber headliner when it passed the three hour mark. 22 more main event minutes still remained following a card that only had four other matches to fill the time earlier in the night. And that's only analysis of a single show.

The pay-per-view landscape's become substantially more problematic since the advent of the WWE Network. With no shackles of old, the super-service model has attacked viewers' watches rather than wallets. The jury's out on which one's worse, but little has really changed despite Vince McMahon's previous declaration of the medium's death. Fans will donate their time and cash if the product's actually any good.

10. Money In The Bank 2011

CM Punk Brock Lesnar
WWE.com

Time's been a little unkind to both the pay-per-view and the match in which CM Punk iconically collapsed Vince McMahon's house of cards with a blown kiss. The company's miserable mishandling of the moment in the aftermath did much to deflate the tension the 'Voice Of The Voiceless' created with his legendary Las Vegas 'Pipe Bomb'. In a bottle (something Punk's ironically kept his hands off over the years), the show still has some magic.

Punk and John Cena had marginally better matches as the years progressed, but few benefited from their chemistry quite as much as the Chicagoans live at Money In The Bank. A white hot atmosphere buoyed the battle from something potentially pedestrian into positively pulsating. Punk's victory and departure with the WWE Title was at very least the majestic scene the evocative angle had promised.

Elsewhere on an otherwise forgotten show, Alberto Del Rio won a Money In The Bank ladder match in which he was by far the least interesting proponent, Daniel Bryan surprisingly won another in which he was, and Randy Orton and Christian continued their astonishingly entertaining feud with another exceptional and understated pay-per-view gem.

 
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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett