10 Hidden Meanings Behind Outlandish ALL IN Attires

"Too high, can't come down. It's in the air and it's all around."

Brandi Rhodes
Twitter.com(@TheBrandiRhodes)

Full disclosure - this article will not be full of the most exhaustive detective work.

ALL IN was every bit the mammoth show it promoted itself as, but it crucially still existed (broadly) within an Independent Wrestling universe. Not every performer go and spend it up on gear for their big night as most do in WWE when pay-per-views come calling. But those that could did so with incomparable style.

The little nods and nudges to pop culture, in-jokes, and their own gimmicks (and, in one case a past persona entirely was on display) because - like the performers themselves, they were designed to be. The show was an act of vindication for many but there was a debutant ball atmosphere around many of the encounters too.

Though this pay-per-view should confirm that the industry is experiencing the contemporary equivalent of the 1980s and 1990s booms, ALL IN will likely still be a record crowd for the bulk of the wrestlers on the card to have worked in front of, and one they're unlike to top unless WWE snaps them up and away from this brave new world.

Without an empire to call their home, these performers are experiencing that intangible feeling on their own terms. They've got it. So why on earth wouldn't they flaunt it?

10. SCU

Frankie Kazarian and Scorpio Sky ran Philadelphia's famed 'Rocky' steps in the go-home edition of Being The Elite, foreshadowing their turns during the Zero Hour clash with The Briscoes as Balboa and fierce rival-turned-best friend Apollo Creed.

As well as expressing their spirit in typically contrived and comedic fashion, the SCU members were the first to reflect the dreamlike position they found themselves in. Kazarian and Sky are independent veterans - the response they received at ALL IN was a fitting welcome for fighters that have punched the proverbial heavy bag for years just to attain it.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett