10 Huge Mistakes WWE Have Made With The WWE Network

4. Zero Hour Contracts

WWE Network Surrender
WWE

Amongst the litany of reasons why CM Punk walked out of WWE in January 2014 was an unanswered question about how wrestlers will be reimbursed for their work on 'Network specials' in comparison to the percentage fee previously creamed from pay-per-views.

It was a salient point worthy of response then, and remains something of a mystery now as buyrates continue to diminish, nearly reaching the point to where standalone purchases are completely obsolete.

Though gradual at first, the earning potential of virtually every roster member has continued to drop, with WWE mainlining more dollars into company coffers rather than superstar paycheques despite constant demands for improving workrate and continued character development.

It's led many talented individuals on the independent circuit to look beyond the prism of WWE for financial reasons, something once considered unthinkable in the North American wrestling scene. That in turn risks the company as a whole becoming the homogonised bore it was throughout much of the 2000s, with a low-ceilinged level of main roster stars emerging from the unproven Performance Centre.

If WWE wishes to continue providing not only the most but also the best wrestling content through the Network, the company must reimburse talent for their incredible sacrifices accordingly.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett