10 Live Observations From Glasgow's WWE TV Tapings

A view from inside the Hydro, as WWE spend 48 hours North of the Border.

Hydro Glasgow
wikipedia

It's been over ten years since WWE started biannually running Raw and Smackdown in the UK in shows that have often made great events for UK crowds, but non-events in the bigger picture of WWE storylines.

However, in recent years, a conscious effort has been made to give these shows their due importance, and with two weeks to go before the 30th edition of the Survivor Series, Glasgow would play host to shows with significant ramifications for one of the company's fabled 'Big Four' events.

At a time when the country has become one of the world's wrestling hotbeds, The SSE Hydro on the banks of the River Clyde was the location for Scotland's first ever set of tapings. Spare tickets were thin on the ground, both rosters were stacked with nearly all the major talent, and even the McMahons themselves all made the flight over for the big occasion.

WhatCulture joined the packed crowds to catch all the happenings, and here are 10 Live Observations from the inaugural Glasgow TV Tapings.

10. You Never Forget Your First

The New Day Enzo Amore Big Cass R Truth Goldust
WWE.com

A palpable sense of excitement took over the arena as the Raw credits rolled and the pyro popped Scottish eardrums for the very first time. Experiencing WWE's flagship show live really suited Glasgow's contemporary riverside SSE Hydro, and what appeared to be a sellout crowd made themselves heard to the wrestling world repeatedly during the evening.

Among many fans, perception at the moment seems to be that 50/50 booking has created a severe hole in the Man Event. The theory goes that by attempting to elevate as many people as possible, the company have inadvertently clipped the wings of nearly all the talent instead. This accusation has been especially levied at the Raw roster, ostensibly due to the show's status as the 'A' Brand and a 3 hour run-time each week that routinely flatters to decide. But through a combination of brand new surroundings for Raw, a supremely revved up crowd, and the choice of talk over action on a promo-heavy show, the WWE sky looked positively aglow with stars.

Shaped around three identikit segments, the Survivor Series 'team squabbles then they have a match' show looks the sort that would have come across terribly most weeks, but the Glasgow crowd heaped noise (and by proxy, importance) on all the verbiage to such a degree that in the arena at least, it never once felt repetitive. For balance, it's fair to say the levels dipped noticeably for the matches themselves, but putting that to one side, a hatful of folk got meaningful and well-received promo time beyond their usual allocation, and the dreaded hour 3 apathy was nowhere to be found.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett