10 More Ways WWE Could Mine Nostalgia During The Empty Arena Era

Red letter days and more themed Sunday nights.

RAW SET
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As if to remind NXT fans when they needed it most that the black-and-gold brand and the main roster are still different things, TakeOver: In Your House was an absolute blast.

The card was strong in spite of a bit of a stinker in the middle, whilst the overabundance of nostalgic overtones in the presentation went way further than even the most optimistic of New Generation zealots (*waves*) could have imagined. It was a really, really good time and a useful tonic to much of WWE's Empty (or, now, full-of-exhausted-extras) Arena Era.

The faster the world's most powerful forces push us all back out of our houses, the faster wrestling companies will be looking to coerce us back into buildings to watch the action. The hope alongside is that is that much of the experimentation that has actually worked will be applied to the product in whatever form it takes in the new normal.

But what of the remainder of the time inside the Performance Center or curtained-off Full Sail University? Backlash almost definitely won't bring those swinging hooks back on Sunday as TakeOver did with the glorious picket fenced Orlando home stage, but they shouldn't lock shut yet more creative endeavour in the meantime.

10. The OG NXT

RAW SET
WWE.com

NXT is a very serious product.

Too serious, may critics have argued. Not least in the shadow of AEW's strong grasp of good wrestling comedy. The counter - and if it isn't, it should be after another lousy cinematic match at TakeOver: In Your House - is that the black-and-gold brand can't do it well, so they don't bother trying at all.

But there wouldn't half be some gallows humour in forcing the sternest roster in WWE to take a night off playing their characters and split into rookies and pros for a night of contests, immunity points and promos about moustaches all hosted by William Regal and Matt Striker making a one night return to the role as sh*t-talking host.

After bucketloads of callbacks and reminders that Striker was all too keen on the failures of those given very little chance to succeed, he could make a break for the car park only to be met by a beating from Karrion Kross. Before he can be left to fester on the concrete, El Phantasma's masked accomplices then whisk him away in their van, at long last disposing of any lingering memories of the original brand.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett