10 Original Failed WWE Pushes You Completely Forgot About

Getting a second chance to make a first impression.

Honky Tonk Man Hulk Hogan
WWE

When WWE get it right first time, it's magic. One only need to look to NXT in recent years for the sort of debuts that were truly out-of-the-box awesome to know and feel an emotion sadly currently lacking in the Empty Arena Era.

To the strains of a "Glorious" theme, Bobby Roode had an It Factor TNA had worked to fabricate for years. In 2017, "ADAM COLE BAY BAY" echoed throughout the Barclays Center from a Brooklyn crowd barely removed the former ROH star's debut and formation of The Undisputed Era alongside Kyle O'Reilly and Bobby Fish. Shinsuke Nakamura's TakeOver: Dallas maiden entrance and match was perhaps the WWE debut perfected - it's since come to represent the peak of a run perpetually perforated by just how spectacular his arrival was.

There are sadly more catastrophes to oppose these rampant success stories, but there's something to be said for a first draft going so poorly that fans simply erase it from their memories. WWE's cockeyed creative machine has made a lie of yet another adage - you can get a second chance to make a first impression, as long as the majority of fans have forgotten your initial effort...

10. The Headbangers - The Flying Nuns

Honky Tonk Man Hulk Hogan
WWE.com

Shotgun Saturday Night was much of what its title suggested - a blast by WWE right into its own face, paying no heed to the ramifications of pulling the trigger when such extreme measures were deemed necessary.

Vince McMahon was already in the process of borrowing liberally from ECW in the shifting tones and styles of promos and brawls brought forth by Stone Cold Steve Austin et al, but the New York nightclub locale was an added quirk never attempted before or since by a company typically fastidious in their production standards and output. The shows, lovingly, looked like sh*t. But the sort of sh*t you couldn't stop staring at.

Yellow ropes, before they were the preserve of NXT, were there as police tape to go with an aesthetic that looked like it was breaking laws, even if they were just around fire hazards and maximum occupancy. The Flying Nuns visiting a church before hitting the Mirage Nightclub for a bout with The Godwinns were an act so toothless they should have been illegal, even if really it was just an ecumenical matter.

They were one-and-done as the company did the opposite of the late night broadcast and erred on the side of caution.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett