10 Reasons Why AEW Is Still The KING Of Wrestling
4. The Value System Can Still Work Wonders
AEW, and CM Punk said this was the mission statement of Collision, is sink or swim.
Despite the grim recent trend of nepotism - enterprising front office staff have plagued the C-show Rampage and dragged it into the D-show bin across the last year - AEW remains a meritocracy. It is still the best and most rewarding promotion in which to watch a performer use their own talent and ingenuity to get over as the wrestler they want to be.
Contrast Toni Storm's WWE run with her AEW run.
In WWE, bizarrely, she was a self-deprecating geek who was blasted in the face with a cream pie. She was, for all intents and purposes, almost literally a clown.
Conversely, WWE does a better job with Cody than AEW did with him in 2021, but the WWE version of Cody Rhodes is the 2019 AEW version with a slap to the mush telling him that he needs to be more ambitious and selfish.
Storm in AEW is a revelation. It's not unfair to label her old, less than shiny-shiny promo game as laughably bad, but now, she is a total laugh riot. Given the all-important creative freedom with which to experiment with her character, the old Hollywood starlet descending into psychosis is magnificent.
She is hilarious; few things are funnier than a full-throated conniption fit, and, with a liberal sprinkling of the word "t*ts", she has evolved into one of the funniest characters in the business.