10 Reasons Why You Need To Respect The Great Khali

6. (Un)Limited Offence

Great Khali Triple H
WWE.com

A commonly held misconception about The Great Khali is that he has a limited selection of chops and kicks that make up the bulk of his in-ring repertoire, bookended by his fondly-missed head squeeze and ten foot high tree slam.

Whilst this comparatively low number of impactful attacks implore some to consider him poor bell-to-bell, the broader point is being missed in that he achieves so much with so so little.

Booked like a giant and protected as a result, Khali's foes react as though they've just been severed in half when he lands a chop across the top of their head. Similarly, Batista, Ric Flair and others looked to the world as if their skulls were compressing their brains as he linked his hands around their hefty craniums.

Khali absolutely does a lot with a little, but in an industry where not enough performers work smart instead of working hard and injury rates soar, it's a facet of his overall presentation he should actually be commended for.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett