10 Red Flags For The Future Of Triple H's WWE

8. Impromptu Matches Are Still The Norm More Than The Exception

Johnny Gargano JBL
WWE.com

If you're prone to enjoying your chosen hobbies with an analytical eye or just capable of critical thought in general, WWE's presentation of professional wrestling has been fundamentally broken for decades.

Regardless of what it isn't in 2022, everybody within the company lost of sight of what it was supposed to be a long, long time ago. An edition of Raw or SmackDown is supposed to be a live emulation of a sporting show that ultimately becomes an entertainment one due to the wins and losses not being on the up-and-up. A silent contract between audience, performers and promotion has existed to support this in the decades since kayfabe was shattered, and everything makes sense accordingly.

And at a fundamental level, that is why matches out of nowhere from the "spontaneous" decisions made by an authority figure or dreamt up by the wrestlers themselves simply shouldn't exist. There shouldn't be space on a fully booked show for them!

It encourages creative laziness too - the October 24th Monday Night Raw had one match announced for the bulk of the week before the broadcast, and even that had been carefully disguised as a non-title one. This is unacceptable for a three hour show, or certainly if the viewer is expected to have any respect for themselves or their own valuable time.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back almost 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 60,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett