10 Secret Genius Details Behind Wrestler Entrances

7. The Road Warriors Pick The Perfect Theme

Malakai Black
WWE.com

The entrance is simple: two massive muscle monsters packaged as apocalyptic warlords rush to the ring, with very little sense of ceremony, en route to ripping two pale dorks to shreds.

The act was a total sensation at its '80s peak. It was irresistibly of the time. Hawk and Animal looked like they had parachuted into the arena not from the Mad Max movie set, but the setting. With so much tedious discourse of realism and flips and the like infesting this online bubble, the point of what got wrestling over in the 1980s gets lost now: those men grew brand new massive artificially-enhanced bodies, and none wore them with the same badass hellcat aura as the Road Warriors.

Any chugging metal riff would have sufficed, really, but the Warriors picked the best one: Black Sabbath's Iron Man.

The opening dirge of Tony Iommi's gut-wrenching riff is the pure sound of slow dread encroaching - precisely what Ham and his partner Egger would feel at the prospect of getting dropped haphazardly on their poor, poor necks.

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Michael Sidgwick is an editor, writer and podcaster for WhatCulture Wrestling. With over seven years of experience in wrestling analysis, Michael was published in the influential institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by former AEW World Champions Kenny Omega and MJF, and current Undisputed WWE Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!