10 Secrets Behind The Rise Of AEW
4. A Savvy Use Of Politics
AEW is the babyface promotion.
AEW is the babyface promotion to the extent that its detractors label it 'All Friends Wrestling'. Mates get jobs. Brandon Cutler, Luther, Michael Nakazawa etc. Tony Khan used several independent talents to fill out Dark cards during the pandemic, giving work to the out-of-work who couldn't land gigs on an indie scene that no longer existed. He has only released a handful of talents; there are considerably more acts than there is TV time, several of which go months without a televised appearance. Khan is reluctant to release any of them. There is a vibe of goodwill to maintain.
All of which might depict AEW as a naive money-eating promotion that lacks the ruthlessness to maximise its revenue and resources - one that will one day fail as a result of it being too nice.
This isn't the case. The promotion exists to begin with because Khan and the Young Bucks leveraged the success of Ring Of Honor to their benefit. All In wasn't a pilot, but if it was a brochure to the TV industry, Joe Koff financed it to the detriment of his promotion. Moreover, Khan was savvy enough to work his way into a loose relationship with New Japan Pro Wrestling. Two years removed from disastrous opening negotiations, he pinpointed KENTA, marooned in the States, as a way into that forbidden door. In exchange for promoting NJPW Strong, Khan secured the elusive working agreement. He bided his time. Craftily.
One promotion played it nice by entering a hiatus throughout much of the pandemic and appeasing its top stars altruistically before the world changed.
It wasn't AEW.