10 Secrets You Only Learn Attending WWE House Shows

9. It Isn't TV...

THE BIG BIG SHOW
WWE.com

For many that don't live in major towns and cities of North America, a house show will be the first chance to catch WWE in the flesh. The lack of mammoth stage, subsequently, can come as a bit of a shock.

This is partially on WWE - for decades now they've had a near-identical setup for all television and pay-per-view save for the odd custom stages or any stadiums they run and flog tickets offering the very same visuals.

The introduction of the TitanTron in 1997 forever shaped how the product would look, yet for years fans were only greeted with an enormous curtain masquerading as what the "Recognised leader in Sports Entertainment". Often, if was even less. When pictures emerge of C-level WWE house shows during the 1980s boom, it's astonishing how little effort was put into the presentation from the organisation mastering it as art form - and little wonder video and pictures were often prohibited.

Thankfully, the mid-2010s saw a conscious effort to overhaul the house show experience for good...

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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett