10 Times AEW Took Advantage Of WWE Ignoring The Fans

5. Jon Moxley

Roman Reigns, CM Punk
AEW

Jon Moxley's 2019 AEW debut was the sort of arrival that the nascent organisation required to properly establish itself as a major player from the off.

Certain to invite bad faith critique for hiring "ex-WWE" wrestlers despite the obvious flaws in that argument, Moxley's appearance helped legitimise something that already felt far realer than any oppositions that had taken a run at Vince McMahon in the past.

Rejecting the offers of Roman Reigns and Seth Rollins to stay put in WWE, Moxley electing to seek out his fortunes elsewhere made a major statement about the potential of the organisation outside of one or two extremely hot shows. Snaring the World Heavyweight Championship the following February, he became a leader during the company-slash-world's darkest timeline, carrying everything on his shoulders through the darkest months of the pandemic and redefining the top babyface role in a way that made sense for a contemporary generation of fans.

With every passing year, WWE's failings with this ultra-talented polymath of a man only become more apparent. They had one way of doing things, and it simply wasn't ever going to be the same as his.

 
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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett