10 Totally Dumb Booking Tropes Wrestling Is OBSESSED With
5. The Entrance Music Cue
So what happens here?
Does the wrestler ask the sound technician to hit their music before they hit the ring? If the sound technician for whatever reason is slow to react, does the wrestler wait to hear their sting, even if their mate is getting their brains plastered onto the canvas?
Or, does the sound technician see the wrestler, full of fury and ready to go to war, and cue up their theme? And is the wrestler so taken by their music that they register the crowd reaction momentarily before saving the day?
These are facetious, rhetorical questions, obviously. Promoters do the entrance theme-backed run-in spot because it almost always gets a pop.
It doesn't matter that the contrivance ruins suspension of disbelief and makes the live broadcast feel like a staged show. The pop is apparently more important than making the show feel urgent and believable. AEW barely did this early in its run, but succumbed to the temptation more often than not within months.
Wrestling as a thing you're meant to buy often collides with the reality that it is a big, daft spectacle - but can't this sort of thing, admittedly a very cool moment, be reserved for truly special occasions?
Nobody would ever want to do away with that December '98 Austin Pop - but nobody wants wrestling to feel like an entirely staged, fake-feeling production, either.