10 Ways WWE Is Better Than AEW

1. Booking Sells Out Buildings. Brands Sell Out Stadiums

WWE AEW
WWE

Amongst many within the wrestling bubble, WWE is the heel promotion.

This is not unearned. Sacking people at the height of the pandemic, warmly snuggling up to oppressive regimes for ill-gotten finances and continuing to peddle morally questionable content as a golden era will do that for you. And those were all things from the last two years, let alone half century.

And yet, with increasingly less major marquee matches left from the past and no evident skill in producing new ones in the present, they are running more stadiums than ever. SummerSlam 2021 was a return to big crowds as the world was doing the same thing, but 2022 will mark the most venues of similar sizes they've ever ran. Royal Rumble, two nights of WrestleMania, Money In The Bank, SummerSlam and the September Cardiff supershow have and will play to 50,000+ crowds.

All because of the three letters that still somehow define wrestling more than the company that actually produce it. AEW can and will in time address this, but nothing would show their ability to quite like actually doing it.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett