10 Ways WWE Is Better Than AEW

8. Stages & Aesthetics

WWE AEW
WWE

Annoying in that's easy to address, AEW have surprisingly kept it lowkey when it comes to the staging of their major events.

This didn't feel like it was going to be the case when the company first launched. Identifying almost everything WWE didn't do well and doing it better seemed to be the modus operandi, and early shows in Daily's Place, on the Jericho Cruise, and Las Vegas (Double Or Nothing's motif offered the group one of their first iconic visuals) seemed to suggest they'd go big on separating themselves from the bland HD screens that came to define WWE's aesthetic.

It hasn't materialised though.

Pay-Per-Views, Dynamites and Rampages are rarely physically distinguishable from one another save for occasional details on the canvas or low-lit corners of the buildings, and AEW's early penchant for lighting up the crowd has been replaced by a single-colour wash on almost all the audience.

WWE, even when it's almost nothing else, is still unmistakably WWE in ostentatious effort and execution.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett