10 Wrestlers Who Improved At Something They Were Terrible At
6. Elias - Strumming
NXT, black and gold era: A superb, straight-laced, state-of-the-art, coherent pro wrestling brand in which wins and losses dictate character arcs, audience reaction dictates the product, and performers are booked to their strengths.
WWE main roster, before Vince's departure: A dismal, broadly comedic, regressive, incoherent "sports entertainment" brand in which wins and losses are exchanged arbitrarily, audience reaction means nothing and is often toxic, and performers are booked to look weak at best, moronic at worst.
Elias, NXT: A man without a country; patently absurd within NXT's largely competition-focused framework, but also too humourless to fit adequately within its sillier Blue Pants/No Way Jose fringe, his humming and moaning choral singing, combined with minor key strumming, was akin to Godsmack playing an MTV Unplugged set. It was just drab and tedious; out of key in every conceivable way.
Elias, main roster: A just wonderful rule-proving exception of a heel act boasting the polish of a seasoned touring band. Everything about it was calibrated brilliantly. With a metronomic assurance, we know exactly when and how to react, guided by his pompous rhythm. He has us in the palm of his hands for the big hits, but has developed the confidence and creativity to freestyle hysterical insults, playing dreaded new material live in such a way that everything resonates.
And now he is an Ultimate Warrior cosplayer.