10 WWE Decisions AEW SHOULD BE Scared Of

4. The Continued Development Of The Fiend

Cody Young Bucks Fiend Undertaker Sasha Banks Adam Cole
WWE.com

The vastness of WWE's operational process often makes it something of a challenge to tie what happens on screen to anything else that actually impacts the business of the business. We are not in times of wrestlers drawing houses or dominating quarter hours - WWE made itself the headliner - but stars still have the power to trump brand loyalty.

Bray Wyatt is a star.

His horrendous past already confined to another world, The Fiend reinvention has saved his career and brought with it an urgency to a show that has to exist with his spectre looming above it. And best of all, WWE actually seem to realise this.

The first few weeks of the Firefly Fun House came with in-built panic that the company would screw the entire thing up, yet as of writing (and presumably as of AEW's television debut), The Fiend's first match and multiple live appearances have actually enhanced what quickly became the richest part of the show.

Kept important and kept in tact, there feels like no ceiling for the gimmick. And more power to everybody involved in reaching this point. Together, they've achieved more, much like...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett