40 Years Of Fascinating WWE WrestleMania Facts (Part 2)

9. WrestleMania XII: WrestleMania Goes Hollywood But Stays Pro Wrestling

The Rock Gennifer Flowers
WWE

Star-laden but with little genuine quality output to show for it, WrestleMania XI was a failure at the box office and survives today as one of the weakest standalone cards in the event's history.

One year later, and WWE elected to save money on the frivolity of celebrity wages even though the very logo of the show aped the 20th Century Fox branding and Roddy Piper and Goldust engaged in a suitably cinematic "Hollywood Backlot Brawl".

With a main event sold on the idea of the two very best wrestlers in the history of the organisation having potentially the very best wrestling match of all time (enormously high expectations, that fell enormously short) and a budget that didn't exactly stretch beyond paying the wrestlers and keeping the lights on, the company made the 12th iteration of the show the first not to feature any guests from outside of the industry.

They probably wouldn't have made a massive difference to the buyrate, such was the down-cycle WWE's business was still mostly in, but the approach reflected an output that had never felt quite as culturally irrelevant. Things were quite bad, but had to get worse before they got much, much better...

In this post: 
WrestleMania
 
Posted On: 
Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett