7 Ups & 4 Downs From AEW Dynamite (Dec 18)
6. Layered Storytelling
Immediately following the match, PAC disrupted the Omega/Page showdown by presumably terrifying the cameraman into showing him on air. It's a thin explanation, but it works in the inherently contrived context of wrestling, and that cameraman wasn't invisible, thank Christ. In a lovely, lovely character moment, he drew his fingers to his mouth and made a "shush" gesture before - again, presumably - beating the sh*t out of poor Michael Nakazawa.
This was pitch-perfect black comedy perfectly within character. PAC could beat the sh*t out of Michael Nakazawa if he squared up to him nose-to-nose with both hands tied behind his back. He wanted to attack Nakazawa from behind because he is a BASTARD.
This was AEW's great, layered, shared universe storytelling in microcosm: the acts feud with multiple opponents at once because they aren't following a script. They obviously are, but the booking approach rarely feels like it. Omega is desperate to retain the core of the Elite; Page could care less, and is using Omega to get back in the game; PAC has resolved to once more defeat Omega because his defeat is of dire consequence to him.
Both developments are occurring in parallel with the other because every motivation is considered to create a twisting, holistic, captivating world.