Booking 10 WCW Concepts In Modern-Day WWE

4. Hog Wild

Kevin Nash Giant
WWE Network

Between 1996 and 1999, WCW presented a pay-per-view from the black hills of South Dakota slap bang in the middle of the enormous Sturgis Motorcycle Rally. It was, like so much of WCW's output, an exercise in indulgence. But it wasn't without its charms.

Eric Bischoff, Hulk Hogan and various other wrestlers really loved motorbikes, and the Ted Turner war chest afforded their hobby a slot in the pay-per-view calendar despite the shows drawing zero dollars at the gate.

It was an imperfect model, but again one that wouldn't require much tweaking for WWE to make an absolute killing from. Much like the original 'Tribute To The Troops' Christmas shows from various military bases around the world, the relatively intimate setting makes for a spectacular visual as fans jockey for position to get a better view of the superstars.

A key issue beyond the free entry with WCW's version was the audience's disinterest in the product at large, but pre-promotion would circumvent any such issue. NXT has already piloted something similar by running events at major music festivals inside smaller tents and stages. A higher profile production wouldn't be out of budgetary or creative reach for WWE.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett