Eric Bischoff Vs Paul Heyman Vs AEW - The New Wrestling War

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WWE

Whilst Paul Heyman could quite easily slip back into an on-air only role if this doesn't work out, Eric Bischoff's value may be back in the boardroom. The two, on this merit, are relatively risk-free hires, but it doesn't inspire much hope that they can make a difference. And that's much to do with the aforementioned hype around the news in the first place.

The backstage machinations are fascinating, but the front-of-house remains the thing fans will still be tuning into on Mondays and Tuesdays. Without improvement there, 'Paul E.' and 'Easy E' will only have value away from the on-screen anyway. AEW's October television launch won't go head-to-head with SmackDown's new slot on Fox, but will look to take a chunk out of the emotional investment fans have with WWE in general. Recent live attendances and ratings have implied it might well be there for the taking, but Fox won't want to be financing a freezing cold product.

As a fan, it's perhaps best to be optimistic about all the best case scenarios rather than simply expect the opposite. By the end of 2019, Heyman and Bischoff's fingerprints might be all over the current product in all the best ways, so much so that

WWE/AEWVince McMahon steps aside completely to focus his efforts on the XFL. AEW, in spite of WWE's vast improvement, can forge ahead with their own unique offering, affording audiences two stellar shows to divide their time and efforts between.

Or, you know, loads and loads more war. Internal and external conflicts and chaotic rethinks within WWE following communication breakdowns. Competing with that chaos, All Elite deal exclusively in big ballsy booking statements to try and uphold the persona of the babyface promotion in an industry overspilling with heels.

It's hard, morbidly, not to be utterly gripped by the prospect of either.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett