How Vince McMahon Destroyed Typecasting In WWE
Becky Lynch and Bayley are two of the most naturally likeable performers to ever come through the WWE system. One's a heel and one's completely hidden. Lio Rush is about to become a babyface sensation on Raw but was being pre-banned from the company locker room for idiotic remarks at the recently-fired Emma's expense. Kevin Owens is neither good guy or bad guy, just a really bloody stupid guy. Shane McMahon - the owner that sent him packing to Raw - was almost arrogant in dismissing him, but will be a babyface because of the literal baby's face his father still sees when he stares proudly upon his progeny.
"I Love You, Man" was a film entirely dependant on the unparalleled loveliness of Paul Rudd. The p*ss funny comedy required him to find a Best Man having only ever enjoyed the company of female friends. He is impossibly wonderful in the role because it's the person he plays best, and hopefully the one he is in real life too. And that's the point of performance art - we'll never know for sure if he's as nice as he seems, but we'll continue investing in him as long as we perceive it to be true.
Vince McMahon isn't the desperate promoter he was in the mid-1990s, nor the architect of the anti-heroes he styled himself as during the Attitude Era. But it's hard to view him as anything other than a stubborn old b*stard in his ageing years instead of the wisened genius of Sports Entertainment. If he hadn't f*cked with the very concept of typecasting so much, we might yet be able to view perception as different from reality.