How WWE Raw Foreshadowed An Escape From The Empty Arena Era

John Cena The Fiend
WWE.com

The two companies couldn't let punters in originally because it would have been a worse look than running shows altogether. As the sporting and non-sporting world and all its competitive leagues, divisions and and competitions came to a stop, the pretend ones laughed in the face of reality and continued to run. Global optics were ignored in the face of extremely localised Florida-based action.

WrestleMania's cinematic matches and Double Or Nothing (general) will probably be remembered as the peak of the form, and wrestling would do well to remember some of the lessons it has learned from these troubling times. But as weeks become months and months feel like years, why wouldn't wrestling be at the forefront of f*cking this off entirely, just like those people in your life that you've come to deeply resent for doing the same.

Crowds have gathered at Daily's Place in Jacksonville, apparently. One suspects the same could be said for the Performance Center, or at least as close as some of the nearby Full Sail regulars are allowed near it anyway. Wrestlers probably haven't been held at gunpoint and asked to populate the ringside area, but would you say no to your boss in the most unpredictable time in the history of most of our lives? Wrestlers will be experiencing many of the same realities as the rest of us, and this is one of them. They've been politely asked or have volunteered to - paraphrasing that godforsaken Money In The Bank tagline - risk their health for the ultimate reward of getting through it in one piece and literally living to tell the tale.

There will be fans willing to pay to take that chance instead. Monday's Raw and that little July tidbit may prove to be evidence of WWE testing the waters. And evidence of testing is something we could all do with a little more of.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett