How WWE Were Destined To Damage British Wrestling With NXT UK

Squashing British ambition en route to world domination...

Triple H WWE United Kingdom Championship
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"No restrictions".

It was the line most notable to those that knew their history. The line that allowed talents and fans alike to believe that this wasn't what bleary-eyed cynics predicted it would be. The line that implied Triple H was going to do his business differently to his father-in-law.

It was simply the first falsehood.

In December 2016, 'The Game' gathered the wrestling media and a selection of sock-free superstars to announce the maiden UK Championship Tournament the following month, trotting out William Regal and Finn Bálor amongst others to trumpet the bridge built between WWE and the independent scene. It was in the post-script where the open-ended agreement was promised.

Hunter framed his successful scouting missions to PROGRESS, OTT, ICW and others as the reason a positive relationship would be key to the success of the project. Underneath the smiles and shaken hands though, the fix was already in, as Rev Pro, Defiant and select other organisations were frozen out. There were "no restrictions", other than the literal restrictions on talent wishing to work for WWE's half-baked idea and those particular promotions. Selling the dream of superstardom over the safety of consistent employment, the company had used cheap bait to catch some of the country's best workers in a loose net, and had no intention of throwing any of them back.

They were already foreshadowing an eventual scythe through the scene. Ask an older fan though, and they'd tell you how they'd actually done it three decades earlier.

CONT'D...

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett