It's Official: WWE NXT Has Jumped The Shark
Formula crept in. Fans loved most the serious business of the TakeOver shows, and so that became the tone: super-intense Great Wrestling put over and built towards with generic operatic writing and its one-note semantic field of moments and legacies and the like.
And, all the while, Mauro Ranallo and Corey Graves screamed directly into your eardrums, furthering the effect of non-stop intensity. NXT by 2018 had begun to take itself with the utmost seriousness. It then extended an invitation to parody as an inevitable result.
It may not be fair to make this judgment now, what with NXT playing to no crowds. But the empty gym is not the problem; the empty gym brings the root problem into focus.
This growing synthetic quality now cannot be escaped with no fans to obscure it. It's as if the complacency has set in to such a weird extent that the NXT think tank operates now on autopilot with no real thought behind it. It's almost as if NXT is not written, but programmed. Look at what the bot coded for last week's North American Title main event between Keith Lee, Damien Priest and Dominik Dijakovic. Beyond the usual regulation entrances and crowd appeals that look bizarre now, that match played almost entirely to a crowd that wasn't there. It was the strangest, dumbest thing.
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