The Day WWE Monday Night Raw Died

Road Dogg Revival I Mean Howay Man
WWE.com

The August 17th edition of the show was, to borrow a title convention from this very website, an absolute mess. A chronic drag that managed to make chaos both unconvincing and uninteresting, it conspired to create in-universe madness but instead just inspired madness in the Universe.

Thing is, that's become the soul-crushing norm since that fateful night in 2018. There was something very refreshing about Karl Anderson and Dax Harwood sharing a Twitter exchange about their rotten experiences during the filming of the aforementioned "celebration" with the DX boys club. These wrestlers had their own version of what once hooked them - Dax regularly puts over Bret Hart better than Vince McMahon ever f*cking will again - and were probably thrilled to arrive at work and spend time with a few heroes and get selfies with the ICOPRO banner.

But they paid even more than those poor four-figure punters for the privilege. Buried by the backslapping, they felt as aggrieved as the audience that gave their money or time to be a part of that stinging elongated turd of a broadcast. 4,500,000 people watched that episode, in contrast to the 1,643,000 that tuned in on August 17th.

If you think "The Day That Raw Died" is hyperbolic, go and find the three million people that have found something else to watch since then and ask them how alive WWE feels. The company will keep making excuses and the world will keep changing, but a 20-year gradual decline steepened over the last two will never just be because of the weather or the NBA or more people watching Netflix.

They have to make a better show again. They have to - as Steve Austin brilliantly put it during his aforementioned rant - "draw money" again. Or find and effectively book the stars that do. It's fitting that the former Scott Dawson was one of the biggest vocal critics of Raw 25 and WWE's output in general because it's now too late for red brand to cheat death with a quick fix - it needs a literal revival.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett