The Problem With Triple H That No One Wants To Talk About

Changing The Game might not be QUITE as easy as Triple H made it look in his first week on the job.

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WWE

WWE was the very best version of itself for large spells of SummerSlam 2022.

Against a stadium backdrop shot to look bursting with people despite one completely empty side, a spectacular opening match was enhanced by an even more impressive post-match angle, yet another celebrity-turned-wrestler entered in a credible and enjoyable encounter, and Roman Reigns and Brock Lesnar confounded critics and expectation with mind-bending use of a digger in the main event.

Deep into the years of WWE making little-to-no narrative sense week to week, this was the platonic ideal of everything a Sports Entertainment circus event could and should always be.

The Premium Live Events are more-often-than-not the strongest offerings from WWE anyway, but not typically because they're simply great on their own terms. This contemporary paradox comes from Raw and SmackDown descending into content churn and sludgy retreads, all as Fox and USA Network fat-cats rub their hands together at programming that walks the tightrope of both live sports and scripted entertainment. There were highs during SummerSlam that transcended those qualifiers. Matches and moments that were exciting and - whisper it - generated interest in actually tuning in the following week to see the follow-up rather than waiting four weeks to see how all this month's chess pieces have been rearranged on next month's board.

It was fitting - in something right out of the Ruthless Aggression "era", an event featuring a bunch of committed and push-hungry wrestlers concluded with conversation about Triple H. How was the first SummerSlam of the Triple H era? What bits were the most Triple H? What couldn't Triple H change in time for showtime? And on the discourse went. 2003 Hunter would have loved that. In 2022, it represents the brand new microscope he'll find himself constantly underneath.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett