The Problem With Triple H That No One Wants To Talk About

Sheamus and his wee pals
WWE.com

The expectations were unrealistically enormous, even if Triple H had more quick wins than a Jade Cargill undefeated streak right at his disposal.

There were flashes of what fans had immediately manifested - an Alexa Bliss speech disavowed most of her last two years of television, Rhea Ripley was established as the true muscle of the floundering Judgment Day group, the six man tag main event was good and ended conclusively with a pinfall - but as a three hour experience, this wasn't anywhere near as seismic as the corporate change that had driven all the speculation in the first place. Kevin Dunn cutting and strutting on the buttons was telling too - Hunter had to be smarter than to simply lift the controversial company cornerstone out of the production truck from the off, but the fact that his influence remained as dominant across the three hours worried many about a) what change the new crew could even affect and b) if Vince McMahon himself had simply become a shadow operative.

For those prone to knee-jerk reactions and/or well-earned cynicism, it was a sign that WWE cannot and will not ever change from the die McMahon had cast. And there were plenty of points where 'The Game' didn't really help himself. Opening with a brawl merely delayed the long show-opening promo rather than removing it. The very first match on Triple H's very first Raw didn't have a finish. The optics of that alone were disastrous. First impressions are vital, and as with the doomed black-and-gold show in 2019, the beleaguered red brand looked saddled with a new boss working diligently from the old boss' playbook.

And here's the sad part - that playbook suited people with far more sway than you or I.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett