The Secret Stat Behind Why AEW Matches Mean More

Referee AJ Styles Shane McMahon
WWE.com

None of this is to say that AEW is revolutionising the sport by shunning such finishes, which would be an absurd statement. The stance is a product of Khan's influences. A self-confessed wrestling obsessive, he grew up on Memphis, Mid-South, and All Japan, and shares Cody's fondness for Jim Crockett Promotions, Mid-Atlantic, and WCW. Across the Pacific, NJPW is currently experiencing the most successful business period in its history with a product that almost never yields disqualifications or countouts.

WWE's audience is conditioned to receive these finishes as normal. Defenders will say they "protect" those on the losing end by not taking a conclusive fall, preserving a cleaner conclusion for a bigger payoff later down the line. This is rarely the case. Keith Lee looked great in defeating Randy Orton in less than seven minutes at Payback 2020 but has gained nothing from three inconclusives in six main roster matches. Whatever rub he got after defeating 'The Legend Killer' has been undone by a supposedly 'Limitless' wrestler becoming a peripheral figure in somebody else's story, rather than the protagonist in his own.

Merely existing in the same space as Orton and Drew McIntyre does not constitute a rub; winning, conclusively, does.

Disqualifications, countouts, and other such shenanigans aren't inherently bad. They can be used to good effect, but not with the frequency WWE employs them. Spamming them relentlessly has created a copout-heavy product that prevents fans from tuning in in good faith, knowing, for example, that when Lee is booked to face McIntyre on Raw, it there won't be a winner or loser. "Neither of them can afford to lose," apparently.

It is a tired, raisin-balled practice that creates a universe in with nothing truly matters, when winning and losing should be everything to a professional combat sports athlete, whether their realm is scripted or otherwise.

CONT'd...

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Channel Manager
Channel Manager

Andy has been with WhatCulture for eight years and is currently WhatCulture's Wrestling Channel Manager. A writer, presenter, and editor with 10+ years of experience in online media, he has been a sponge for all wrestling knowledge since playing an old Royal Rumble 1992 VHS to ruin in his childhood. Having previously worked for Bleacher Report, Andy specialises in short and long-form writing, video presenting, voiceover acting, and editing, all characterised by expert wrestling knowledge and commentary. Andy is as much a fan of 1985 Jim Crockett Promotions as he is present-day AEW and WWE - just don't make him choose between the two.