The Simple Solution To AEW's Biggest Problem

It takes a good doctor to treat an unhealthy division.

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AEW

All Elite Wrestling's seeds were sown long before the Double Or Nothing rally on 8 January 2019, but that was when the promotion planted its flag into the monopolised American wrestling market's crust.

Executive Vice Presidents Cody and The Young Bucks outlined an alternative product seemingly designed to recapture lapsed fans and create new ones, with meaningful wins and losses, a purported "real sport feel", a two-way audience/company relationship, and other DNA strands forming AEW's identity. Bold statements, but they worked: existing Elite supporters who'd followed them through ROH, NJPW, and beyond were energised alongside those left disaffected by almost 20 years of WWE dominance.

Brandi Rhodes spoke on AEW's women's division. The Chief Brand Officer wanted to build a strong scene with "the best female wrestlers in the entire world." A wide net would be cast to secure top global talent, women would be paid equal to the men depending on card position, and Britt Baker was introduced as the division's first signing, though other details were scarce. "More on that to come," Rhodes said of discussions with "some of the top Japanese wrestlers in the world."

22 months later, Rhodes' ambitions are yet to be realised onscreen. Dozens of talented, exciting, and hard-working women have competed for AEW, though they are hamstrung by a lack of weekly screentime and slipshod presentation, giving the impression they are an afterthought to the bookers. Hikaru Shida and Nyla Rose's Full Gear "feud" is a prime example of this: prior to the go-home show, AEW spent just 3:02 of television time building this programme, 2:30 of which was on Dark, the YouTube series. Other storylines have suffered similarly, though this is the worst instance.

That NXT does such a sterling job with its own women's division means AEW's criticism is often amplified, though much of it is warranted. This is not the division fans were told to expect on 8 January - and the numbers tell a grim story too.

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Channel Manager
Channel Manager

Andy has been with WhatCulture for eight years and is currently WhatCulture's Wrestling Channel Manager. A writer, presenter, and editor with 10+ years of experience in online media, he has been a sponge for all wrestling knowledge since playing an old Royal Rumble 1992 VHS to ruin in his childhood. Having previously worked for Bleacher Report, Andy specialises in short and long-form writing, video presenting, voiceover acting, and editing, all characterised by expert wrestling knowledge and commentary. Andy is as much a fan of 1985 Jim Crockett Promotions as he is present-day AEW and WWE - just don't make him choose between the two.