The Three Words That Ruined WWE
Then. Now. Forever?
Before the U.S. mainstream wrestling landscape converged to become what it exists as today, or at least pre-pandemic - new mainstream competition in the form of AEW, WWE's quite drastic viewership decline, NXT's divisive transition to television - WWE got away with a lot.
Towards the midpoint of the last decade, it was the only destination for the vast majority of professional wrestling fans; NJPW hadn't yet wowed the west, Impact Wrestling had finally short-circuited fan patience, and Ring Of Honor hadn't yet entered its last drawing period of any significance with the Elite saga as its main - only - asset. Being The Elite, seismic in its transformative influence, wasn't yet a free digital platform that gently ridiculed WWE and brought its ills into focus.
WWE subsequently relinquished its monopoly, variously, by adhering to a stagnant and generic creative formula, spewing forth a spate of incredibly antagonistic booking decisions, and repeating a profound failure to create new stars - even if, and this was the most grand systemic indictment, it was clear, even from within the same company, that the talent were capable of becoming stars elsewhere. Viewership nosedived, gradually but inexorably, in the wake of the 2015 Royal Rumble. The persistent, audible failure of the Roman Reigns push was as much symbolic of the problem as it was the problem itself.
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