The Worst Year Of Triple H's WWE Career

Back in the naughties, he was in a very boring TV show.

Triple H Camera
WWE

This article will not be about 2020, even if that subsequently makes a bit of a mockery of the title.

In the last 12 months, Triple H's brand has left its cosy spot on its own Network for the vim and vigour of proper television thanks to a USA Network deal that saw the show move from one to two hours to compete directly with the soon-to-launch AEW Dynamite on TNT. The Wednesday Night Wars were to be a thrilling reminder of a particular period of old days some people still can't stop talking about, and for the first few months they were just that.

NXT had cynically but successfully marginalised their opposition, while booking a compelling run of episodes either side of November's Survivor Series that fed into a deserved ratings victory in December for a show headlined by Rhea Ripley's Women's Championship victory over Shayna Baszler. That was less than 12 months ago, and for reasons beyond the global health crisis, the black-and-gold brand no longer resembles what it was back then.

Battle-bruised and battered by the demand, NXT remains WWE's best show and has still badly hit the skids, taking with it Hunter's reputation as an astute booker and safe heir to the McMahon empire. Perception was something he knew how to massage before now, but the actions on any given week have spoken louder than his media conference words.

That's not to say he can't regain a lost magic touch. We are here to talk about his actual worst year after all, and the golden era of the black-and-gold brand suggests that - like WWE's success - things might just be cyclical. With booms come busts, and there were none bigger in 'The Game's entire career than when the product crumbled around him. But you may not remember that...

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett