THIS Was The Most Genius Wrestling Angle In Modern History
The iconically awful Nightmare Collective was total vanity nepotism amateur hour. The Dark Order - genuinely, an inspired gimmick concept within the win/loss rankings framework that is only just connecting - resolutely failed to connect back then with its overtly cartoonish presentation. Certain matches - like Private Party Vs. Santana and Ortiz - made grimly clear the gulf in standards and pressure between a small indie and the nationally televised stage. At best, the praise directed towards the Women's division was faint and condescending: They're trying something with Kris Statlander, and while the gimmick is rubbish, the work is good!
For an apparent downfall, at its best, Dynamite remained a very good pro wrestling television show in December. The Young Bucks brought the match quality, even when ravaged by the flu. MJF cut a wicked promo on Cody to finally throw a match on that tinderbox. Kenny Omega and Hangman Page, in the very first beat of their storyline, demonstrated an expert level of organic, subtle in-ring acting to open up a mystery.
But even the fanatical base couldn't reconcile that product with the vision for and name of 'All Elite Wrestling'. There was a White Album-esque derangement to it all - an unfocused creative tension that yielded stunning wrestling and indulgent bullsh*t alike.
If Dynamite was too good a show to jump the shark, the events of December 18 hardly felt like it. It was a show so infamous in its poor reception that the words "Corpus Christi" are seared into the memory.
CONT'D...(2 of 6)