Why AEW Rampage Hasn't Quite Worked (Yet)

Matt Hardy Jack Evans Tony Schiavone
AEW

Dynamite was a strange and beautiful thing in 2020, acting as it did to try and preserve one on of the industry's original consumer tenets. Wrestling's supposed to be a distraction from your reality, and AEW provided this in a time when it had never been more required.

But in doing so (and when mostly back at full roster capacity), it highlighted an issue many believed an extra hour would immediately fix. The distribution of time for talent seemed skewed, with countless acts falling through the cracks while others didn't so much maximise their minutes as greedily gobble them up.

Not to zero in on him (as was often the case in 2020 and is still somehow the same during an otherwise red hot time in AEW's history), but there's still so so much Matt Hardy across the shows. Too much.

We are now existing in the era of that magical third hour, but Rampage has added to a problem rather than solving it. Thanks to his position at the top of the Hardy Family Office (itself an inherently illogical and mostly uninteresting stable), Hardy can keep his fingers in several pies and command attention over multiple segments.

This was the case over two consecutive weeks in September on Rampage, and his overbearing omnipresence in Arthur Ashe Stadium was about as welcome as ants at a Central Park picnic.

And the issue seems to be extending outwards.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett