Why AEW Rampage Hasn't Quite Worked (Yet)

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Fuego Del Sol has ceased being sympathetic within weeks of emotionally securing his AEW contract on the very first edition of the show in August. This couldn't have been clearer than when Miro battered the sh*t out of him in a rematch on September 17th, and then again a segment designed to prepare Sammy Guevara for similar doom.

Jon Moxley's gone from the guy carrying a broken world on his shoulders to no longer having a discernible purpose beyond smashing the random elderly men that walk through the forbidden door. Fun's being had, but there's increasingly less meat on the bone and the guy that drew during a pandemic should be a piece of p*ss to promote in front of these hot crowds.

The acting in the Dark Order dissension angle has been shoddy enough to sap it of heat, putting unnecessary pressure on just how big the moment will be when Hangman Page puts them back together. This too has felt like the preserve of a Friday rather than a Wednesday, and ask yourself why you're already permitting the weaker aspects of the product to play out on Rampage rather than Dynamite.

The answer is worryingly simple - because it feels like B-Show rather than an A-Show accompaniment to your wrestling week. It's not ideal.

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett