Why WWE Will Use Wembley Stadium In 2020

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WWE.com

Triple H's rationale parrots the company's own for the last quarter century. Pay-per-view, as they saw it, was a format not really to be messed with. Certainly not for a show that apparently mattered such as one-hit wonders Fatal 4 Way or Breaking Point or Great Balls Of Fire. Definitely not for a SummerSlam again. And categorically never for a WrestleMania, the one UK fans campaigned fervently for with the promise of the 80,000+ attendance WWE wouldn't have to artificially inflate.

It started to feel futile campaigning for the concept until WWE cannibalised it with the advent of the Network in 2014. Only then did the possibility become a visible reality. A year on from its launch, 'The Game' brought his beloved NXT across the pond for a house show tour culminating in a white hot TakeOver: London show. It mirrored much of WWE's 1992 excursion but on a micro scale - the interest was gauged and accounted for before the group went big with a blockbuster payoff.

Crucially, the show kicked off in the evening in the UK, meaning American viewers wishing to watch live had to be at their screens at a different time of day, or avoid spoilers until watching it at their evening leisure. It's a reality millions of fans of World Wrestling Entertainment have coped with their entire lives, but not one the company are accustomed to forcing American fans into. The Saudi Arabia deal's commencement in 2018 provided the same problem, but billions of dollars did away with pithy concerns. As in this case they should have - actual start times haven't ever mattered less. What could possibly be changing WWE's mind ahead of a vital 2020?

For those not already utterly enraged with having to click three times, permission granted to now be incensed that your writer almost made it to the fourth page without mentioning AEW.

Because it's AEW.

CONT'D...

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back almost 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 60,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett