Yes, we’re contradicting the introduction with the inclusion of Chris Benoit here—and while his superb shift connected the spots into a proper match, this was the blueprint to guaranteed excitement. It demands inclusion in spite of him.
It demands inclusion because this remains the most hermetic version of a genre that, while consistently intoxicating, has grown lazy and cheap in its choreography. When Kane pulled off his unlikely high spot, the mass of bodies didn’t just stand there, savaging suspension of disbelief. If anything, Shelton Benjamin timed his role so well that it was as if he was trying to run away.
Shelton starred throughout, but that proved his undoing. You don’t star in a ladder match, if you want to win it. Edge won because of this mentality.
He was well-practised…
Michael Sidgwick is an editor, writer and podcaster for WhatCulture Wrestling. With over seven years of experience in wrestling analysis, Michael was published in the influential institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by former AEW World Champions Kenny Omega and MJF, and current Undisputed WWE Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!
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