John Cena’s spinning variation of the WWE Championship wasn’t mere visual pollution.
It was that, obviously. A gaudy, jewel-encrusted disgrace, it betrayed its own lineage. It conveyed none of the prestige the title had accrued as an achievement—the highest achievement—in a predetermined non-sport. It looked like something Xzibit would do to a vintage sports car. The sight of the old winged eagle felt like an additional insult, as if John Cena had grabbed Hulk Hogan by the back of the head and smeared his face in sh*t.
Several of Cena’s successors were made to wear the strap long after his epic, early reigns. We could see John Cena. We saw him everywhere.
If you could bring yourself to look at its tasteless horror, it reflected Cena in the image of everybody who could not escape his shadow.
Michael Sidgwick is an editor, writer and podcaster for WhatCulture Wrestling. With over seven years of experience in wrestling analysis, Michael was published in the influential institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by former AEW World Champions Kenny Omega and MJF, and current Undisputed WWE Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!
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