WWE Just Exposed AEW's Most Embarrassing Flaw

You can't throw the belt in the bin! Or CAN you? AEW could never...

Tiffany Stratton Britt Baker
WWE/AEW

All Elite Wrestling won the Wednesday Night War that kicked off in 2019. They won it quickly, won it convincingly, and won it the right way.

When NXT was permanently shunted to Tuesday nights in 2021 having only taken just a handful of viewership wins and a single key demographic scalp, AEW's victory lap was pretty much made up of them lapping themselves. They'd been running it that long by then that the result wasn't deemed worthy of popping too many champagne corks.

The fact that the former black-and-gold brand was only moved to television in the first place to try and dilute the new company's impact made the triumph sweeter - while this was ultimately still just a battle of billionaires and their brands, the growth of a legitimately great wrestling show was a solid consumer byproduct.

When NXT wasn't eating itself with short-termism, its tropes and tricks were being exposed by newer, better ones. Triple H's golden era as a booker had quietly already passed, but that reality was brought into sharp focus by the existence of more vibrant and credible opposition. 2020 presented unfavourable circumstances for both sides, but Dynamite had so much heart and soul that wrestling sometimes really nearly did feel essential as the Florida governance considered it to be.

AEW marched onward and into what some consider the finest creative period in the company's eventful history. NXT's reimagining as the enormously divisive and cartoonish 2.0 was internally deemed necessary in the wake of the heavy defeat. There are justifiably very few kind words about it even a year later. Especially in contrast to AEW and especially company cornerstone Dynamite.

Until now.

CONT'D...

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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett