WWE Vs AEW: The War Is OVER!

The wrestling business is cyclical, but the latest cycle of competition has come to an end. How?

Cash Wheeler
AEW

Has there ever been a better time to be a wrestling fan than right now?

The short answer to that is probably "Yes", but adopting a less cynical tone for just a second and/or rephrasing the question slightly - has there ever been more wrestling at a wrestling fan's disposal?

That's an objectively easier one to address. You no longer need to be a devotee of multiple independent organisations or watch every major Japanese company's output in different timezones to be inundated with professional wrestling or a rough approximation of it. Astonishingly for where things were at less than half a decade ago, you don't even need to look beyond the North American mainstream.

Between Friday 1st September and Monday 4th September, WWE and AEW collectively produced eight hours of original-run television output across four telecasts, and a further eight+ of Premium Live Event/Pay-Per-View content. A week before that, AEW broke the industry attendance record at Wembley Stadium days WWE announced all-time box office records being smashed by early WrestleMania 40 ticket sales.

This isn’t some wishy-washy “just enjoy wrestling” nonsense, but those would be staggering statistics to read just five years ago, not least considering Vince McMahon’s long-held belief that business hits the skids as the summer draws in. Two billionaire-backed empires, both in rude health. We were force-fed the narrative for years that this was simply not possible and the wrestling war in the 1990s hurtling to a definitive conclusion after mere months of parity appeared to prove it.

What's going on?

[CONT'D]

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett