WWE Vs AEW: The War Is OVER!

Jon Moxley Kenny Omega Dynamite
AEW

Between October-December 2019, AEW Dynamite - the first mainstream alternative to WWE in 18 years - was a strange mix of contrasting ideas and ideologies for how television wrestling could and should be presented. The company couldn't yet calculate exactly what fans it was attracting, but very quickly it became apparent how many were picking it over a WWE show when the market leader deployed NXT to go head-to-head in a futile effort to force viewers to choose.

Though All Elite Wrestling didn't launch because of differing visions and philosophies to WWE, WWE's differing visions and philosophies had a lot to do with AEW's launch.

WWE in the last days of Vince McMahon was routinely risible trash thanks to creative so utterly rotten that even the great matches and ultra-talented roster couldn't recover the weekly acclaim. Raws, SmackDown, PLEs; the whole thing was being swallowed whole by McMahon's delusional autocracy. What a reckless waste of time and money much of the 2010s was to all of us who watched it week-to-week. WrestleMania retained its Super Bowl quality, but even the beloved Royal Rumble was in the toilet by 2022. The first one post-pandemic should have been a celebration of 60 wrestlers trying to punch their ticket to the big dance, but rotten intra-match booking and listless reactions to the fields exposed how bored even the most hardcore of the base was. It had gone beyond simply waving away the comparison as AEW being a wrestling show and WWE being Sports Entertainment, not least because the latter was neither of either.

July 2022 onwards feels like a crackling black-and-white CRT product was upgraded to 8K Ultra HD, and Triple H's year-or-so in the job has been a creative and commercial success story few could have predicted by the end of his NXT tenure. In this unexpected second attempt, he is perhaps only just arriving at the mid-point of his peak as a creative head. Tony Khan feels like he's nearing the end of his, though a rebound is only ever a hot angle away. There's nothing if not hope amongst AEW fans, thanks to a brand loyalty WWE themselves must surely envy.

[CONT'D]

Advertisement
Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett