WWE Vs. NJPW: Head To Head
4. Music
A difficult criteria as closely matched as the most dramatic of New Japan main events.
Kota Ibushi’s ‘Golden Star’ is a soaring call-to-arms that feels as dangerous as his act. Tetsuya Naito’s theme is an accelerating electronic banger that reflects his lightning repertoire and exotic cool. Jon Moxley’s theme is as sleazy as f*ck—a lurching portent of doom perfectly suited to the glorious reinvention of his “sick guy” persona. Kazuchika Okada’s is as relentless as his ascent to the realm of legends. Minoru Suzuki’s ’Kaze Ni Nare’ also happens to be one of the greatest themes in all of history.
In WWE, the best themes are excellent in themselves, but boast also a killer crowd interaction element. Becky Lynch’s theme feels like a drunken, celebratory singalong designed to intoxicate the crowd on her badass act. AJ Styles’ theme captures the man brilliantly with its dangerous gospel. Its antithesis—Aleister Black’s banger—would pop a religious conservative.
The deflating image rights issue on New Japan shows hands the advantage to WWE because it betrays the premise of an entrance. The entrance is designed to grab the attention of the audience; in New Japan, it too often distracts the viewer at home.
Scorecard: WWE 1-6 NJPW