WWF New Generation Vs WWE In 2020: Which Was Worse?

6. Aesthetics

Issac Yankem Slapjack
WWE

In 2020, WWE did what WWE does and answered a rhetorical question.

It turns out that if a tree falls in the woods and no-one's there to hear it, it does make a sound. That sound is the one that comes out of the ThunderDome speakers when somebody backstage presses a button that says "tree reaction.wav".

It's unfair to be overtly cruel about WWE's various attempts to present a workable solution through the unfathomable circumstances of the last year, but over the last year WWE were an overtly cruel company that were unfair to a lot of people, so let's do it some more. The piped-in "Holy Sh*t!" or "This Is Awesome!" chants provide the literal opposite of a real audience's intent, reminding the viewer that the noise - and thus the emotion - is artificial.

That's if you can even see what's supposed to be so awesome. Kevin Dunn's direction gets worse with every passing year. Visually disgusting at times, the amounts of cuts and zooms are jarring at best and nauseating at worst. There are things beyond bad creative that make a show unwatchable. None of these were half as evident in 1995, even in all those tiny venues.

Which Was Worse?: 2020

 
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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back almost 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 60,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett