10 Reasons 1917 Should Win Best Picture At The Oscars 2020

2. Roger Deakins Cinematography

In this film, Deakins shows why he truly is a modern master of cinematography and deserving of his own Oscar. He creates wonderfully crafted shots and if you pause the film at any point, the image left is work of art in itself.

Through his differing colour palates, Deakins gives each location a unique and different feel. The strongest example of this is the transition from the dull browns and greys of the trenches to the warm flickering orange glow of light used to represent the slowly burning French town.

Also, the way Deakins influenced the movement of the camera in this film is truly beautiful. It is all done so smoothly and with such grace that the camera almost feels like a living thing. He manages to establish and maintain the geography of a scene, while keeping the camera close enough to the actors to make sure their performances are captured properly.

Every element of this film is crafted brilliantly, but it is Deakins’ work that really brings it all together and creates a real work of art.