10 Ways The Marvel Cinematic Universe Proves That Dreams Do Come True

6. Marvel's Revolutionary Ideas Are All There

Black Widow Civil War
Marvel

Since its inception, the MCU has been unfairly criticised for being a homogenous environment where every film and every character must conform to a set amount of tropes, with the overriding one being a supposed insistence on uncharacteristic humour. People do forget, however, that humour and complexity are not mutually-exclusive; you can have a witty film that isn't afraid to approach big ideas, just like you can have one that operates under the delusion that it is complex, when in reality it just happens to be pretentious. Ultimately, nuance doesn't have to be shouted through a megaphone to resonate with an audience and, if it is forced, it becomes self-defeating in a remarkably ironic fashion.

All of Marvel's films deal with complex thematic elements, but the subtlety in which they do so can and often does elude certain segments of the audience. I'm not going to try and argue that The Avengers and Thor offer vital contributions to the copious amounts of academic discourse surrounding the denizens of the Marvel Universe, but that doesn't mean that they lack any meaningful messages entirely. Marvel has always been a channel for allegorical depictions of real life issues and events, and by no means is that lost in the company's foremost onscreen adaptations. Heck, in the case of Civil War, it actually transcends the black and white nature of the graphic novel it was based on.

A lot of this is hidden beneath a thin veneer of well-timed humour and character interaction, but the MCU is by no means a childish diversion away from Marvel's original acclaimed properties. Rather, the balance it strikes between fun and serious is what differentiates it from the competition so successfully.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.