10 Ways To Fix The Biggest Superhero Movie Problems

1. Respect For The Source Material

Magneto Now we come to it, let€™s be honest we all knew it would come down to this. Yet, I would like to offer a slightly different perspective on an argument that has been beaten into the ground thus far. Comic books and animation are very much America€™s entry into the medium of literature and storytelling. It might be because of this that they are both considered as an afterthought to the world at large, what€™s sad is that those that have worked in both industries also disregard them as kid stuff at best. It€™s hard to take something seriously when the core audience is determined as a non-consumer minority. It€™s this blatant disregard for the medium itself that lends to the mistreatment of the source material. What is Stan Lee€™s name? This isn€™t a trick question, if his name was actually Stan Lee I wouldn€™t ask. His name change is supremely important as Lee is considered the god father of the modern super hero comic. Stan Lee makes no secret as to how the famous moniker was created and why. Around WWII Stanley Martin Lieber was an aspiring writer with dreams of writing the next great American novel, when the job of writing comic books came up Lieber took the job, but didn€™t want his real name associated with such a childish medium, he had a reputation to protect after all, thus Stan Lee was born. That€™s right, my hero thought that comic books were a bunch of crap that serious writers should look down upon, I€™ll wait while that sinks in. If Stan €˜The Man€™ Lee himself thought little of comic books and their importance what hope did the medium have of being taken seriously? Most comic book fans don€™t hold comics in the same regard as €˜traditional€™ literature, even though the story structure of Batman isn€™t all that different from Sherlock Holmes or any other great detective. Sure, Stan Lee€™s original comic book stories were remarkably unsophisticated but that had as much to do with Lee€™s work load than any limitations created by the medium. Lee was writing several books at once on a tight schedule. However, anyone who€™s taken a creative writing course knows that for the most part story structure is pretty universal. If anything comic books present a greater challenge because of the idea that one story exists in a persistence universe where other stories are all (ideally) working in concert, the level of difficulty in performing such a juggling act should be applauded and make being such a juggler a worthy literary pursuit. It€™s the pictures in the end; the one thing that defines a comic is also the thing that leads to its disregard. The drawings are seen as a crutch for the simple minded. However no one seems to have made the argument that the pictures are what should make one consider comics as a superior form of social storytelling, until now. What does Sherlock Holmes look like? Exactly? It€™s hard to say, there is a pretty detailed description but because there is no actual image it is up to the reader to fill in the blanks. Communication without a visual representation is marginally imperfect and therefore isolates the reader. Two people can read the same novel and have a completely different visual interpretation of it, creating a hurdle to be overcome before any discussion of the work can begin. On the other side a comic book sets the visual aspect in stone so that the readers are all on the same page so to speak, it is literally a shared experience that novels can€™t achieve. Ever wonder why comic books have such a bonding effect amongst its fans? Why there are conventions all over the world where people come together and commune? Maybe it€™s because we all really €˜see€™ the same thing. As I€™ve said before, comics embody many of the storytelling elements that came before it, tragedy and comedy, crime and punishment ect. If a comic book can tell a Shakespearian tale, heck can even do Shakespeare, then shouldn€™t it be a given that the medium can be responsible for delivering original material of high literary quality? If such a thing can be achieved, then shouldn€™t the stories be held in as high a regard as Shakespeare itself? There have been many retellings of Othello, Romeo and Juliet and Hamlet all of which leave the actual relationships between the characters and events themselves reasonably untouched, that€™s called respecting the source material. Now, look at X-Men and tell me (honestly) that it€™s been treated with the same care. When a comic fan defends the X-Men franchise they are supporting the idea that the story as it was written isn€™t very important which begs the question, how are they a fan? As comic book fans, writers and artists we have to stop disregarding what we love as secondary. We have to see the inherent value in what we do and what we love or it€™s not worth doing. Stan Lee doesn€™t disregard comics anymore, but he didn€™t make a strong enough effort to fight for change in public perception of the thing that made him an icon. Disney just recently fired its entire 2D animation staff, a move that many consider to be the signs that the medium is dead, and no one blinked. That€™s what it looks like when we don€™t see the value or importance of our own creations. Why we€™ve only seen one prime time major network cartoon that wasn€™t a comedy in the last 50 years. Stories are stories; the medium we use to tell them shouldn€™t define their quality.
 
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Dante R Maddox got started in writing about pop culture in 2007. He developed his conversational style majoring in English and minoring in speech communication, his desire to write as if he were speaking to the reader face to face was the bane of many professors. An odd blend of geek cred and regular fella chic', you're just as likely to end up talking about baseball or politics as you are about comic books and movies (just don't mention Tucker Carlson, you are addressing the man who will go to jail for assault in the future after all). He wrote a book called The Lineage of Durge that's available on Amazon for a small amount of money, he's writing a second while acting as Editor-in-Stuff over at Saga Online Press, there is a graphic novel expansion of his book series also in the works as well as continued development of his cheesecannon, one day Canada...one day (Seriously, a piece of ham, you slice it up and now it's bacon?!?!? I say thee nay!!!)